melt exclusive:
PARKE
“It felt like a fresh start, felt like a new era. Same with this music; I didn't put a single out, it was just the album went straight to it because I think I'm just an album person. I think it's more interesting, but it just felt nice and literally like a refresh, like I just showered and just came out.”
Read Above: Parke, the rapper and producer formerly of the name Dominsquis, has broken ground with his new album, Zombie, compounding the dynamic blend hip-hop, rock, and punk influences that he began exploring under his old alias into a thrilling blend of tracks that not only amp up the sonic pressure from his previous projects but also serve, in a way, as their ultimate fruition,
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Featured Artist Profile:
Star’s Revenge, the budding side project of Emily Green (Geese) and Olive Faber (Sunflower Bean), has served not only as an outlet to but also an additional expression of the expanding creative thatcheries of its founders in the years since its creation, but, now, with their decision to expand the project into a full-band context, it has taken on a markedly different sonic outlook, all while maintaining the central mission of exploration and ongoing creative activity that led to its birth.
Star’s Revenge
MELT Live: Milhouse
Live set recorded with St. Louis DJ Milhouse. Recorded at Overtime Studio STL. A MELT FM Production.
10 Questions w/ odelet
Odelet, the Detroit-born producer and multi-instrumentalist, has been experimenting between genres for multiple years now, and, with the release of their newest album, Angels (Revived), the experiment has reached new heights.
A dynamic blend of soul, funk, jazz, reggae, and other musical roots, the album encapsulates perfectly the genre-agnosticism that permeates Odelet’s creative output.
Currently based on the West Coast, their work in visual art has slowly become intertwined with their musical ventures, and the ultimate result, which is in part represented in Angels (Revived), has blossomed into a transformation of their creative process and manifestation of sound.
Artist profiles
Bibi Club, the Montreal-based indie pop duo of Adèle Trottier-Rivard and Nicolas Basque, has been carving out distinct vibrations since their formation in the late 2010s, operating in the midst of the direct action and sonic intimacy that has defined their creative process from the very beginning. As they have continued to work together, however, Bibi Club and their artistic partnership have evolved tremendously, with their forthcoming release, Amaro, serving as undeniable evidence of that fact.
BIBI Club
Peaer, the Brooklyn-based, math rock-influenced band helmed by Peter Katz, is at the precipice of a major creative shift after over a decade spent together. With Doppelganger, their most recent project, marking the end of an era for the group and other members of the band moving onto other phases of life, Katz has determined it is time to take the project back where it began: into his own hands.
Peaer
Alfred.
For the Virginia-born and raised rapper and illustrator Raan Brown, the moniker Alfred. has long represented a crystallization of a distinct part of their personality, taking the maximalist aspects of their persona to certain extremes while maintaining a centrality of flow and cadence that is indicative of their mastery over their craft.
Blackwater Holylight, the doom metal band formed in Portland, Oregon, has broken new ground with the release of their newest album Not Here Not Gone, commemorating their recent relocation to Los Angeles and crafting a culmination of the years they have spent together as a band with the intentional new sonic direction they have undertaken.
Blackwater Holylight
For San Francisco-based prog rock band Magic Fig, the mission has always been clear: create tantalizing and expansive music heaved from the swirling depths of the British rock of the late ‘60s and early ‘70s. But, as the band has continued to evolve, the initial boundaries they set for themselves have been forced to expand. Their newest project, Valerian Tea, serves not only as a representation of their collective vision but as a testament to their melting pot of influences– and their spacious and inclusive take on progressive rock as a genre.
