melt exclusive:
Dorio
“The conflict and the disagreements are more built into the experience. Instead of feeling like ‘Oh, this is going off the rails because we're disagreeing,’… If someone suggests something is wrong— that they don't like a certain part of the song— it's probably not really the suggestion that they're making that needs to be done, it's just something about that part or about that moment that is needing a different kind of attention.”
Read Above: Doriocourt’s penchant for nostalgic, intricate production and Rascoe’s blissful melodies and striking lyrical abilities combined, on Dorio's Super Love 3, to create a form of ecstatic, analog revelry. Now, on their newest project Agent Friday & the Perfect Angel, Dorio has found a new set of visual and sonic totems to crystallize their efforts upon.
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MELT Exclusive:
True Green
True Green, the brainchild of novelist and songwriter Dan Hornsby, recently released the follow-up to their 2024 debut, My Lost Decade, in the form of a tumbling, character-extracted, 13-track extravaganza: Hail Disaster, out via Spacecase Records in March of this year.
Ahead of True Green’s stop at the intensely intimate Dissonant Works space in St. Louis (with local acts Matt Daisy and Huck on the bill) I spoke with both Hornsby and close collaborator Tailer Ransom about character-building, growing from My Lost Decade, and both of their intentions in working on Hail Disaster.
Featured Review:
Mount Zero — Swapmeet
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A dive into the tastes of New Jersey punk band best dressed ghost.
Artist profiles
Spacemoth has served as the experimental playground for instrumentalist and songwriter Maryam Qudus since 2020, and in that time she has developed an otherworldly sound— one that has expressed itself in both a resolute darkness and a cosmic playfulness. But the thread of creativity, of a desire to explore and experiment, goes all the way back to her childhood. Her latest record Inward Eye, in many ways, represents the culmination of these efforts and experiences.
Spacemoth
Void Comp, the alternative electronic project of Edmonton-based songwriter David Julé, began simply as an exploratory pursuit. But as he continued his sonic experimentations, and continued to etch out his distinct style as a songwriter, he struck upon something tantalizing: a synth-filled mixture buoyed by his prowess on the electric guitar and rounded off by his textural approach to his vocals. The result, as exemplified on his debut album Passerby, transcends even the experimental strictures of the genre that he occupies.
Void Comp
Neptune’s Core has been making waves since their first appearances on the local Chicago scene back in the late 2010s, when each member of the band was at some point in their journey through high school. But as time has gone on, their vision of what the band could be has become more and more ingrained in their collective creative identity, and as they prepare for the release of their debut album Pivot, each member is well aware of the weight this next step carries.
Neptune’s core
When Violet Beller and Anakeesta Ironwood first met at the University of Miami, they knew immediately that they would click as friends. Their similar musical and creative affinities ensured it. But what they didn’t know was the coiling twists and turns that their original sapling of an idea would take on, incorporating member after member from their scene until rug, as a sprawling, seven-piece indie band, came to find its complete form.
RUG
Although pop-punk may be the appropriate genre label for Australian duo Cry Club, it’s far from an accurate depiction of their sound. The release of their newest album, High Voltage Anxiety, simply was the next step in the logical sonic process that has guided them since they first began collaborating as university students, and in its searing punk tones and earnest theatrics, the project is the most honest and upfront in their growing discography.